Daily we receive calls from people in need of selling their families antiques. Ah…. ANTIQUES… they are not the treasured possessions of yesterday. Our industry now refers to these as “Brown Furniture”. Of course there are those rare spectacular pieces that stand alone in quality, provenance and maker, but for now I am talking about the average antique that sits in our grandparents and parents homes. You know the ones that mom has consistently instilled into our brains as “this will be worth something!!” I get it, I heard it over and over too.

At one time, yes this was true!! Antiques were treasured and revered. But the market has changed and there is little possibility it is going back. Millennials and Gen Xers are into experiences not possessions. Everything we need is stored in our phones, so who needs bookcases or sideboards? The art of entertaining has virtually disappeared, and so has the need for china, crystal and sterling flatware. Does it go in the dishwasher or microwave? No??? Well, where is the convenience in that? Therefore it is not selling. And that is ok!!! Times are a changing and we need to move forward.

We in the industry have seen this trend for quite some time and have been educating our clients to be prepared to see lower values on their antiques. Many are aware and many just can not believe… as mom said “this will be worth something!!”.

The Art Newspaper just published a wonderful article which addresses this fact. It is a great read. It also speaks to the rise in folk art and outsider art. Interested in investing in those , mid century modern or contemporary art? Call us, and we will help you on that path.

The Art Newspaper reports:

Sales lag while demand for folk art is on the rise as Millennials move away from a ‘Home Alone’ aesthetic

Furniture sales go to the dogs, but a dog painting by folk artist Ammi Phillips realized a record $1.7m at Christie’s Americana sales.

For decades, Americana encompassing the likes of Chippendale highboys, Chinese Export porcelain and even school girl embroidery was hotly coveted and even fetched staggering prices. But recent years have seen a slump in demand for more traditional work, despite an increase in attention to adjacent genres such as folk and outsider art. And the shift in taste is forcing some dealers to shake up their business strategy.

Leigh Keno of Manhattan’s Keno Auctions says the market for American antiques has “sadly dipped precipitously”. He notes that a big part of the problem is a dearth of buyers: “Part of the problem is clients are dying off and there is no new blood.”

Attracting a wider collector base has been top of mind for many in the Americana field, and fairs such as the Winter Antiques Show—now re-branded as simply the Winter Show—and the Outsider Art Fair have attempted to lure more visitors by folding in contemporary art offerings. The combination of traditional and avant garde, has proven good for marketing, but collector excitement for the former does not seem to match the hype of the latter.

The end of the 20th century marked a high point in the Americana market to date. In 1989, Christie’s sold a Chippendale Newport mahogany block-and-shell secretary bookcase for $12.1m to the dealer Albert Sack. Prior to that, no antique had sold for more than $3m. Keno recalls selling a Newport Chippendale mahogany tea table, c. 1765 for $3.6m at the Winter Antiques Show in 1998: “The buyer got to the show three hours before it opened and four others waited in line to snap it up.”

Today, however, one of the biggest buffeted areas not just furniture, but Chinese Export porcelain, which Americana collectors like Henry Francis DuPont would regularly sup on. “A set of Fitzhugh [porcelain] would sell for $15,000,” says dealer Michael Cohen. “Today one would bring only $1,000 as [collectors’] children don’t want it—those dinner services are now stowed away in cupboards,” he notes.

Indeed, the next generation of American taste has changed dramatically, perhaps due in no small part to capitalist consumer culture. “Look at the [1990] movie Home Alone—that house had Americana-style furniture because it was the perception of success then,” says Erik Gronning, Sotheby’s senior vice president. “Today no one even eats in a dining room and all their furniture is plastic.”

Americana collector taste has migrated instead to folk and outsider art. At Christie’s Americana week sales last week (14-18 January), an Ammi Phillips oil painting, Girl in a Red Dress with a Dog (1830), scored a record $1.7m (est. while a Bill Traylor work on paper went for an unexpected $396,500. At the Outsider Art Fair (17-20 January), Frank Maraca of the Chelsea gallery Ricco/Maresca sold two works on paper by Martin Ramirez and one by Bill Traylor priced from $100,000 to $200,000.

“Ten years ago, those prices would have been shocking,” says Christie’s specialist Cara Zimmerman. “With more museum shows and increasing scholarship, this category is gaining wider acceptance and younger clients are coming into the market”, many of who see vernacular art as more contemporary, she adds, given that much of it is less ornamental or stylised than other Americana genres.

The shifting market, however, has forced some Americana specialists to radically change their business model. Last month, Ron Bourgeault who founded the New Hampshire-based Northeast Auctions in 1987, completely overhauled his firm. “Recently I sold a prize New England desk pegged at $65,000 but it only went for $12,000,” he says. He adds that the peak Americana “days are over”, so he has instead transitioned to a boutique firm, Bourg Ault-Horan Antiquarians, specialising in auctions and private sales only.

“Americana made up 90 percent of my sales, but by 2008 clients were dying off,” says Keno. This prompted him to move into private sales and set up his own auction house, he says, adding that the younger generation prefers modern and contemporary art. “Now I mostly sell Basquiat, Calder and mid-century as well as contemporary design.”

Source: The Art Newspaper